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Review: Sister Act, Bristol Hippodrome, until January 21

Cynthia Erivo, who sadly was unable to complete the role of Deloris in Sister Act on Wednesday. She hopes to return to the stage today (Friday) Cynthia Erivo, who sadly was unable to complete the role of Deloris in Sister Act on Wednesday. She hopes to return to the stage today (Friday)

With hilarious comedy, catchy lyrics and more glitzy looking nuns than you can imagine, Sister Act is a scream of a performance that you won’t want to miss.

The show, an adaptation of the hugely popular film produced by Whoopi Goldberg herself, didn’t start like that however – the opening of act one felt flat and the music (Alan Menken) somewhat irritating, not to mention the inaudible words (Glenn Slater).

But Edward Baruwa’s Eddie Souther shines through somewhere in the middle and my, oh my, how the show changes. It suddenly went into fifth gear and became an unstoppable force.

The choreography of the nuns at the convent where Deloris Van Cartier takes refuge to escape her murderous lover Eddie was simply brilliant.

Seeing Cynthia Erivo’s Deloris bring their singing voices from a somewhat hellish nightmare to a heavenly resonance in Raise Your Voice and Take Me To Heaven (Reprise) was one of those uplifting moments you come to expect in this genre.

But as our interval drew to a close something wasn’t quite right and disaster struck.

Erivo was unable to continue with her performance and after a significant delay, act two came crashing back on to stage with the incredible Gemma Knight Jones taking up the role of Deloris with a vigour and energy that we hadn’t seen in Erivo’s performance.

The wait was worth it because act two escalated into an all singing, all dancing triumph which I will not forget in a hurry.

By the end of the show the whole house was on its feet.

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